Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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llya Yefimovich Repin
Sadko in the Underwater Kingdom

ID: 82786

llya Yefimovich Repin Sadko in the Underwater Kingdom
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llya Yefimovich Repin Sadko in the Underwater Kingdom


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llya Yefimovich Repin

1844-1930  Related Paintings of llya Yefimovich Repin :. | Portrait of painter Nikolai Nikolayevich Ghe | Dragonfly | Sadko (mk19) | Woman Leaning on the Back of a Chair (study for Paris Cafe) (nn02) | Portrait of architect Aleksey Ivanovich Shevtsov |
Related Artists:
David de Coninck
(ca. 1644 Antwerp - after 1701, Brussels), also known as Rammelaar was a Flemish painter of the Baroque period. David Koninck was born in Antwerp and studied there under Jan Fyt. After a few years in Paris, he staid in Rome from ca 1671 to 1694, where joined the Bentvueghels with the nickname Rammelaar (rattle). He is sometimes stated to have died in Rome in 1687; however, he returned to his home country and is last recorded becoming a member of the painters guild in Brussels in 1701. His pictures are chiefly landscapes with animals and still life. He is likely unrelated to the generally contemporary Dutch painters, Philip de Koninck, or Philips Koninck (5 November 1619, Amsterdam - buried 4 October 1688, Amsterdam) and the fellow townsman Salomon de Koninck. See Biography by Filippo Baldinucci.
Charles Turner
English Painter, ca.1773-1857
James Baker Pyne
English Painter, 1800-1870 He was articled to a Bristol attorney, but around 1821 he took up painting and exhibited at the Bristol Gallery of Arts in 1824. Apparently self-taught, he worked closely with the Bristol artist Samuel Jackson (1794-1869) for a time and was influenced by the poetic landscapes of Francis Danby. In 1835 he moved to London and exhibited at the Royal Academy the following year. He showed seven pictures there altogether, but he also exhibited at the British Institution and showed 206 works at the Society of British Artists. Although technically accomplished, Pyne's work is curiously lacking in distinction. He imitated many artists but never found a style of his own. His early views of Bristol are among his best work, a good example being View of the Avon from Durdham Down (1829; Bristol, Mus. & A.G.). He also painted some lively coast scenes such as Whitby (Leicester, Mus. & A.G.). He was less successful when emulating J. M. W. Turner.






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